Letter from the Editor David V. Mason The Religion Virus: An Interview and Meta-Conversation Michael Dudeck and David Mason “The Spectacle of Unseeing: Creation from Nothing in Richard III” Jonathan Wanner “Apocalypse How? The World’s End in Will Eno’s TRAGEDY: a tragedy” Dana Tanner-Kennedy “Racine’s Ancients: Paradoxes of Adaptation in the Panegyric Tradition of French
Ecumenica 11.1
Ecumenica 10.2
Fall 2017 Letter from the Editor David V. Mason “Sexual Perversity in a Feminist Bible Play: Florence Kiper Frank’s Jael” Kari-Anne Innes “An Anthropogenic Upheaval: Edward Bond’s Bingo, Shakespeare’s Enclosure, and Terrocentric Identity” Babak Ashrafkhani Limoudehi “The Holy Land Experience: ‘Step Right Up’ to Experience the Crucifixion” Aaron Brown “Sacred Spaces: Experiencing the Supernatural at Lourdes” Kristin
Ecumenica 10.1
Spring 2017 Letter from the Editor David V. Mason “The Many Afterlives of Matt Talbot: Contesting Irish Nationalism in Thomas Kilroy’s Talbot’s Box” Jeff Casey Interview: John Collins David V. Mason Play: The Child Who Didn’t Want to Be Born Diana Manole Book Reviews David K. Anderson. Martyrs and Players in Early Modern England: Tragedy, Religion, and
Ecumenica 9.1-2
Spring/Fall 2016 Letter from the Editor David V. Mason “A Rally Cry Unheard: Arthur Schnitzler and Political Drama” Weston Twardowski “Simon of Cyrene and Signifying Race in the Early 20th Century African-American Theatre” Craig Prentiss INTERVIEW: Jay Wegman David V. Mason PROFILE: London’s Intermission Youth Theatre: Re-Imagining Shakespeare and Spirituality Les Wade Book Reviews Birgit
Ecumenica 8.2
Fall 2015 Letter from the Editor Carolyn Roark Editorial: Forecasting the Future of Religion & Performance David Mason A Burning Vision of Decolonization: Marie Clements, Ecological Drama, and Indigenous Theatrical Praxis Courtney Elkin Mohler Henry Alcott’s Sensual Spirits: The American Indian as Spiritualist Spectacle Robert C. Thompson Profile: Contemporary Mormon Drama Megan Sanborn Jones Callie
Ecumenica 8.1
Spring 2015 Letter from the Editor Carolyn Roark “As If There Were No Damages”: Representing Native American Spirituality in the Dramas of Lope de Vega and Sor Juana Inés de la Cruz Miriam Hahn Performances of Challenge: Catholic Pilgrims Engage with the Archive and the Repertoire Vanessa Baker “Unhoused, Disappointed, Unaneled”: Catholicism, Transubstantiation, and Hamlet
Ecumenica 7.1 & 7.2
Critical Terms in Religion, Spirituality, Performance Fall 2014 Letter from the Editor Carolyn D. Roark Ceremony Daniel Meyer-Dinkgräfe Communion Kevin J. Wetmore, Jr Eschatology Jill Stevenson Holy George Drance, SJ Incarnation John Patrick Shanley Invocation Edmund B. Lingan Liminality Kim Skjoldager-Nielsen & Joshua Edelman Liturgy Claire Maria Chambers Medium Alvin Lim Pageant John Bell Performance
Ecumenica 6.2
Fall 2013 Letter from the Editor Carolyn D. Roark Feature: Hamlet on Alcatraz, a Journey into the Power of Sacred Space Rand Harmon Highlight: Six Characters of 9/11: A Chance Encounter with Pirandello’s Six Characters in Search of an Author Mahmood Karimi-Hakak Highlight: Interview with Kimball Allen Heather Beasley Profile: “The Trial of Jesus” and Jesus
Ecumenica 6.1
General Issue Spring 2013 Letter from the Editor Carolyn D. Roark Feature: “Can a fellow be a villain all his life?”: Fagin, Jewishness, and Musical Performance Marc Napolitano Feature: PsyBabas: Ritual Exoticism and Spiritual Labor in Subcultural Tourism Pavithra Prasad Highlight: The Joy of Doubt David Henry Hwang Profile: Theatre Without Borders Jacob Hellman Profile: Musekeweya,
Ecumenica 5.2
Faith, Politics, and Performance Fall 2012 Letter from the Editor Carolyn D. Roark Editorial: The Problem of Religion and Theatre (It’s Not What You Think) Peter Civetta, Guest Editor Feature: “Holier than Thou:” Religion as Teaching Tool in the Rhetoric of Secularism, and the Case of Osama bin Laden’s Burial at Sea Claire Maria Chambers Feature: Fully Jewish