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PLAY TRANSLATIONCho Ramasamy’s C\u0101ttiram Co\u1e49\u1e49atilai (The Scriptures Don’t Say So)KRISTEN RUDISILL ESSAYS“Cerita on Calonarang Dance Drama”KATHY FOLEY AND I NYOMAN SEDANA “Balinese Calonarang in Performance”I NYOMAN CERITA AND KATHY FOLEY INTERVIEW“Ta’ziyeh Close-Up: A Conversation with Moslem Nadalizadeh”BABAK RAHIMI PERFORMANCE REVIEWSLa PastorelaReviewed by JAVIER LUIS HURTADO The Last Christmas (La \u00daltima Navidad)Reviewed by ALIZA MORAN BOOK […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
ESSAYS “Intimations of the Loka in Adhyatmararamayanam Kilipattu.” Malini Murali “Vessel, Messiah, Warrior: Donald Trump in Evangelical Christian Narratives.” Hank Willenbrink INTERVIEW “Shifting the Terms of the Encounter: A Conversation with Playwright Nia Witherspoon about Messiah.” T. Chester PERFORMANCE REVIEWS “Toko Atolia: An Interlude by Bernice Mawutornyo.” Edudzi David Sallah “Sloppy Bonnie: A Roadkill Musical […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Co-Edited by Silvia Battista Liverpool Hope University ESSAY “Performing Blackness under Roman Occupation: Embodied Resistance and the Empire (A Thinking Essay)” Christopher-Rasheem McMillan IFTR CONFERENCE ESSAYS “‘Harmony in Diversity’: A Compartmentalist Approach to the Three Teachings in Mulianxi” Xiaohuan Zhao “Embodied Ecumenica; Eco-spirituality: Revised Christian Attitudes Toward the Creation” Kim Skjoldager-Nielsen IFTR RESEARCH\/PRACTICE “A Journey […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
The Issue in JSTOR “The Saddest Bubbles: Toward a Theory of Outrage” Lance Gharavi “Christianity on the Taiwanese Traditional Stage: Why ‘Hallelujah’?” Josh Stenberg “On the Stage, But Not of the Stage: Harriet Beecher Stowe’s The Christian Slave and the Advent of Evangelical Theatre in Antebellum America” Joseph R. D’Ambrosi BOOK REVIEWS Message from the […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
The Issue in JSTOR “Queering Zion: Liberalism and Coalitional Care in Mormon Drama” Kristin Perkins “Human Sacrifice, Nuns, and Gender-Bent Kings: The Effect of Religious Change on Gender Presentation in Early Modern Adaptations of Iphegenia among the Taurians “The Liturgy That Dare Not Speak Its Name: Religious Engagement and Affective Memory as a Site of […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
“From Religious Rituals to Popular Theatre: Evolution of the Mulian Legend” Shiao-Ling Yu PLAY Maryam: A Woman of Bethlehem (English and Arabic) Victoria Rue translated by Hind Abu Shkhadim REPORT Maryam: A Woman of Bethlehem Samer Makhlouf BOOK REVIEWS High Mas: Carnival and the Poetics of Caribbean Culture Reviewed by James Padilioni, Jr. Homo Ritualis: […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Letter from the Editor “The Social Drama of Durga Puja: Performing Bengali Identity in the Diaspora” Arnab Banerji “Act for Your Life: Widows in Vrindavan” Radhica Ganapathy “Advocating for the Rejuvenation of Jatra Performance” Jashodhara Sen INTERVIEW “Rituals and a Need for Forgiveness: An Interview with Rajiv Joseph” Kevin J. Wetmore, Jr. REPORT “Dance of […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Fall 2018 Letter from the Editors Claire Pamment and Hesam Sharifian guest editors “Black Table: Choreographic Interventions in Moroccan Contemporary Dance” Karima Borni “B for Badan, Blessed, and (B)othered: The Counter-Sacred in the Iranian Theatre of War” Marjan Moosavi “Darvag and the Theatre of Iranian Diaspora” Hamid Ehya “Phoenix Rising: The Conference of the Birds” […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Letter from the Editor David V. Mason The Religion Virus: An Interview and Meta-Conversation Michael Dudeck and David Mason “The Spectacle of Unseeing: Creation from Nothing in Richard III” Jonathan Wanner “Apocalypse How? The World’s End in Will Eno’s TRAGEDY: a tragedy” Dana Tanner-Kennedy “Racine’s Ancients: Paradoxes of Adaptation in the Panegyric Tradition of French […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Fall 2017 Letter from the Editor David V. Mason “Sexual Perversity in a Feminist Bible Play: Florence Kiper Frank’s\u00a0Jael” Kari-Anne Innes “An Anthropogenic Upheaval: Edward Bond’s\u00a0Bingo, Shakespeare’s Enclosure, and Terrocentric Identity” Babak Ashrafkhani Limoudehi “The Holy Land Experience: ‘Step Right Up’ to Experience the Crucifixion” Aaron Brown “Sacred Spaces: Experiencing the Supernatural at Lourdes” Kristin […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Spring 2017 Letter from the Editor David V. Mason “The Many Afterlives of Matt Talbot: Contesting Irish Nationalism in Thomas Kilroy’s Talbot’s Box” Jeff Casey Interview: John Collins David V. Mason Play:\u00a0The Child Who Didn’t Want to Be Born Diana Manole Book Reviews David K. Anderson.\u00a0Martyrs and Players in Early Modern England: Tragedy, Religion, and […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Spring\/Fall 2016 Letter from the Editor David V. Mason “A Rally Cry Unheard: Arthur Schnitzler and Political Drama” Weston Twardowski “Simon of Cyrene and Signifying Race in the Early 20th Century African-American Theatre” Craig Prentiss INTERVIEW: Jay Wegman David V. Mason PROFILE: London’s Intermission Youth Theatre: Re-Imagining Shakespeare and Spirituality Les Wade Book Reviews Birgit […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Fall 2015 Letter from the Editor Carolyn Roark Editorial: Forecasting the Future of Religion & Performance David Mason A Burning Vision of Decolonization: Marie Clements, Ecological Drama, and Indigenous Theatrical Praxis Courtney Elkin Mohler Henry Alcott’s Sensual Spirits: The American Indian as Spiritualist Spectacle Robert C. Thompson Profile: Contemporary Mormon Drama Megan Sanborn Jones Callie […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>
Spring 2015 Letter from the Editor Carolyn Roark “As If There Were No Damages”: Representing Native American Spirituality in the Dramas of Lope de Vega and Sor Juana In\u00e9s de la Cruz Miriam Hahn Performances of Challenge: Catholic Pilgrims Engage with the Archive and the Repertoire Vanessa Baker “Unhoused, Disappointed, Unaneled”: Catholicism, Transubstantiation, and Hamlet […]<\/p>\n <\/div>\r\n <\/div>\r\n<\/div>